Today in the final designer inspiration feature, I have words, sounds and COLOUR inspiration from Felicity Ford aka Knitsonik. I've loved asking all 4 of these designers the same questions and seeing their responses for Design Week and hope you have enjoyed the posts too.
What inspires you to design?
"I feel great affection for the mucky everyday stuff of life and think it deserves to be celebrated. I've worked with this idea for many years in my sound art practice and in my photography but the advantage of working with yarn is that inspiration sourced in daily life can be returned to that life in the form of useful, warming garments. For me it's all about celebrating overlooked details and finding hidden wonders in everyday things. I hate housework but feel OK about hand-washing a pair of socks full of memories of a familiar place; and preparing veg suddenly becomes fun when an amazing pattern appears in the peelings and cooking turns into a messy photoshoot.
For me the designing process is about deepening my appreciation for an inspiration source. Time spent exploring any context is an investment of imagination, and I've found I can never look at things in the same way again after I have studied them for colours and patterns for my knitting. Since publishing my book quite a few folk have asked me which swatch is my favourite and the one I keep thinking of is the one based on my digital sound recorder - EDDIE; I adore my little bashed up recorder for its functions but studying it for the production of stranded colourwork has really deepened the love. Every time I get EDDIE out for a spot of recording I think of the swatch and it makes me smile.
Investing time studying and exploring aspects of the world around me makes me profoundly happy and I am learning to design because I want to share the joy of that with other knitters.
What key skills have you developed as a designer?
I'm getting better at writing down things as I go rather than just knitting them up and then wondering how on earth I did it. I'm also working hard on my writing. I like writing long, reflective pieces but really succinct and precise technical language is something that comes less naturally. In working on the KNITSONIK Stranded Colourwork Sourcebook I developed some skills around describing creative process clearly and neatening my instructions and I keep working on that.
Any tools you can't live without when you design or pattern write?
I can't live without my comrades and their feedback and am incredibly lucky to be surrounded by very skilled, inspiring, generous folks. My buddies are the cornerstone of my designing work and I couldn't be KNITSONIK without their input and support.
On a more nuts-and-bolts level I have RSI and residual damage in my wrists from when my arthritis was very active in my early twenties. Therefore I use a sideways mouse and ergonomic keyboard, I perch my computer on a box of franking labels, and I constantly switch my needles around between square steel needles, bamboo square needles, circulars and DPNs of different lengths. I find that varying the tools I use reduces strain on my wrists which is fairly essential if one is pursuing a career where knitting and typing are the main tasks. Other than that, my main tools are a scrappy old exercise book and whichever pen or pencil is to hand.
When it comes to committing designs to paper, how do you start that process?
With a swatch! A lovely big tasty swatch full of ideas is usually my starting point, followed by some usually very messy instructions in biro. I'm imagining a different process for a design I'm about to start, though; I think it would simplify things if I had a rough pattern written out beforehand and then tweaked this as I went so that the designing process is more about test-knitting a pattern than just picking up the needles and hitting GO.
My LISTENING TUNIK was a fantastic design experience, I was swatching for days and days before I found the motif I wanted. Once I had that and understood the gauge I just went for it. I was thrilled to bust out a sweater like this but then trying to work out exactly what I'd done was a bit of a forensics exercise and I'm still not wholly satisfied with how the neckline sits on me.
What advice would you give designers developing their design and pattern writing skills?
Find the right people to work with, get feedback from trusted comrades and look after your wrists!"
With thanks to Felicity for taking the time to share some insights into her design process. If the Sourcebook really spoke to you, I'll be hosting a very special give away on my next podcast episode so please tune in next Saturday!
If you're inspired to get designing, please do join us for the Designalong.
The final Design Week blog post will be tomorrow and is a helpful round up of tools of the trade- specifically, charting! If you're enjoying design week here on the blog, you can catch up with the posts here.